Reviewing the show where this work appeared, Nicole White writes in The Brooklyn Rail that “the exhibition space at Mister Fahrenheit is partially subterranean. [This] horizontal work in graphite is installed across from the entrance — the only work that appears to sit above the earth. The ceiling is low on the mezzanine level of the gallery, but the vast energetic field of the painting distracts from the parameters that contain it. The surface changes as you approach LMV_25 (2025), depending on the light and where you stand, shifting between a cool, matte flatness and a granular, metallic glow.”
